Sunday, May 24, 2015

Remembering Balaam's Ass


When things do not go your way, when good men oppose you, think of Balaam's Ass. God will send asses to oppose you for your own salvation! Thank God when things do not go your way! You also need to become a faithful ass of the Lord!

Every branch in me that bears no fruit [my Father] will take away; and every branch that bears fruit he will cleanse, that it may bear more fruit. John 15: 2

The Holy Spirit is the Sanctifier, He will make your way straight by means of angels, of asses and of men! Get used to it! Love the Lord especially when He blocks your way! and leads you where you would not go.


Balaam's Ass
Numbers 22:21 Balaam arose in the morning, and saddling his ass went with them.
22 And God was angry. And an angel of the Lord stood in the way against Balaam, who sat on the ass, and had two servants with him.
23 The ass seeing the angel standing in the way, with a drawn sword, turned herself out of the way, and went into the field. And when Balaam beat her, and had a mind to bring her again to the way,
24 The angel stood in a narrow place between two walls, wherewith the vineyards were enclosed.
25 And the ass seeing him, thrust herself close to the wall, and bruised the foot of the rider. But he beat her again:
26 And nevertheless the angel going on to a narrow place, where there was no way to turn aside either to the right hand or to the left, stood to meet him.
27 And when the ass saw the angel standing, she fell under the feet of the rider: who being angry beat her sides more vehemently with a staff.
28 And the Lord opened the mouth of the ass, and she said: What have I done to thee? Why strikest thou me, lo, now this third time?
29 Balaam answered: Because thou hast deserved it, and hast served me ill: I would I had a sword that I might kill thee.
30 The ass said: Am not I thy beast, on which thou hast been always accustomed to ride until this present day? tell me if I ever did the like thing to thee. But he said: Never.
31 Forthwith the Lord opened the eyes of Balaam, and he saw the angel standing in the way with a drawn sword, and he worshipped him falling flat on the ground.
32 And the angel said to him: Why beatest thou thy ass these three times? I am come to withstand thee, because thy way is perverse, and contrary to me:
33 And unless the ass had turned out of the way, giving place to me who stood against thee, I had slain thee, and she should have lived.
34 Balaam said: I have sinned, not knowing that thou didst stand against me: and now if it displease thee that I go, I will return.
35 The angel said: Go with these men, and see thou speak no other thing than what I shall command thee. He went therefore with the princes.
36 And when Balac heard it he came forth to meet him in a town of the Moabites, that is situate in the uttermost borders of Arnon.
37 And he said to Balaam: I sent messengers to call thee, why didst thou not come immediately to me? was it because I am not able to reward thy coming?
38 He answered him: Lo, here I am: shall I have power to speak any other thing but that which God shall put in my mouth?
39 So they went on together, and came into a city, that was in the uttermost borders of his kingdom.
at

Saturday, May 23, 2015

Brilliant Spanish Piano

Albéniz Iberia (complete)
at

Catholicism for Beginners (Short Films in German)

katholisch,de has a series of Catholic catechetical videos like the one above.

Also at: Wer war Jesus Christus? (Deutsche Welle)

Fun doctrinal instruction!

These short videos are very similar to the series below in English.

Why Believers Believe: The 3 Minute Catechism

at

Friday, May 22, 2015

Getting our Bearings


Abortion is worse than rape (without denying any of rape's horror and betrayal, a mother betraying the child in her womb is so much greater because of the gravity of the crime, murder, and the absolute unquestionable innocence and complete vulnerability of the victim and the natural responsibility of the nurturing mother)!

In rape the woman is the victim, in abortion the woman is both the criminal and a victim of that heinous crime, for it is she who willfully inflicts the harm upon the child (the innocent victim) and upon herself (the guilty victim)! The harm of murder and of being a murderer therefore is greater than the harm of suffering the criminal lust of another, as bad as that may be. In the former case the guilt of the murdering mother is great, in the latter there is no guilt on the part of the victim who suffers innocently the undesired crime of another. A great difference! Abortion is worse than rape for the woman!

"For it is better, if the will of God should so will, that you suffer for doing good than for doing evil." 1 Peter 3:17


Homosexual activity is violence.

Sodomy is as bad as murder.
That is why God killed and continues to kill people for it!
It is dirty and that is why it sickens and kills the flesh! Sins of the flesh damage the flesh, emotionally, spiritually and, yes, ultimately, physically!

God is not arbitrary, He sanctions what is bad because it is bad, for our good, for those who would listen to Him, Christ our blessed Lord.
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Bad Wine is Better than Good Water


Better poor liturgy than no liturgy! Men need the divine Mystery which comes to us today primarily through the form of the Holy Mass. Every person needs the Mass. It's not the same as anything else. Wine is not water! Water is good, wine is better! Go to Mass. Go to Mass daily! Enter the Life of God!

My flesh is meat indeed, my blood is drink indeed! John 6:56.

When you are tired of Facebook and Tritter and DirectTV, etc., say the Rosary! Say the Rosary and go to Mass and read Sacred Scripture and you will enter the life of God. Everything will become real for you! You will see God and your life will be changed! Pray.

Those who pray will certainly be saved.
Those who do not pray will certainly be lost.

The greatest prayer and the ongoing source of all prayer is the Holy Sacrifice of the Mass (transhistorical Calvary!).
The greatest orans (person of prayer) is the Most Blessed Virgin Mary. The Rosary makes Mary in heaven your prayer partner! Power!

Water is good, wine is better!

Liturgy is the best antidote to rationalism, it grounds you in the truth. Liturgy is where your truth touches the Truth, in His Flesh and Blood. The Truth becomes Flesh and Blood at every Most Holy Mass! The Truth touches you.
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Tuesday, May 19, 2015

That To Which I am Now Listening

Just cut and paste any of the works to YouTube and you will have much joyful listening!
You can do the same for any other type of music, e.g. trumpet concerti, piano sontate, etc.
First, I started listening to Abbiate and then to Abeille and Abel. Wonderful!


Piano Concerti


A

    • 6 Concertos for harpsichord (or pianoforte), two violins and cello, Op. 11 (first printed in 1771; F, B-flat, E-flat, D, G, C)
    • Concerto for Piano and Orchestra No. 1, Op. 30 (1938)
    • Concerto for Piano and Orchestra No. 2, Op. 131 (1967)
    • Concerto for Piano and Orchestra No. 3, Op. 162 (1973)
    • Rapsodia española, Op. 70 (1887)
    • Concierto fantástico in A minor, Op. 78 (1887)
    • Concerto da Camera No. 1 in A minor, Op. 10, No. 1 (1828)
    • Concerto da Camera No. 2 in C-sharp minor, Op. 10, No. 2 (1828)
    • Concerto da Camera No. 3 in C-sharp minor (reconstructed H. Macdonald)
    • Piano Concerto Op. 39 (orch. Klindworth)
    • 6 Favourite Concertos for harpsichord, piano, or organ (late 18th century)
    • Concerto for Piano Duet and Strings, Op. 32 (1951)
    • Concerto for Phyllis and Cyril, Op. 104 (1969), for 3 hands at 2 pianos (one pianist plays with both hands, the other with only one hand)
    • Fantasy on a Theme of John Field, Op. 116
    • Piano Concerto No. 1, Op. 39 (1997–98) (I. River of Loss; 2. Dialogue with Time; 3. Wind of Oblivion; Part 2, Dialogue with Time, can be performed separately as an orchestral piece with the piano being part of the orchestra)
    • Double concerto for violin, piano and orchestra, Op. 40 (1997)

B

    • 6 Concertos for Harpsichord, Op. 1
    • 5 Concertos for Harpsichord; Concerto for Harpsichord in F minor
    • 6 Concertos for Keyboard, Op. 7
    • 6 Concertos for Keyboard, Op. 13
    Johann Sebastian Bach (all 1720s-1740s)
    • Harpsichord concertos:
    • BWV 1052 for harpsichord and strings in D minor, presumed to have been transcribed from a lost violin concerto previously written by the composer himself, used again in the Sinfonia and opening chorus of cantata Wir müssen durch viel Trübsal, BWV 146 and the Sinfonia of cantata BWV 188
    • BWV 1053 for harpsichord and strings in E major, probably after a lost oboe concerto
    • BWV 1054 for harpsichord and strings in D major, after his violin concerto in E major, BWV 1042
    • BWV 1055 for harpsichord and strings in A major, after a lost oboe d'amore concerto
    • BWV 1056 for harpsichord and strings in F minor, probably after a lost violin concerto
    • BWV 1057 for harpsichord, 2 recorders and strings in F major, after Brandenburg concerto no.4 in G major, BWV 1049
    • BWV 1058 for harpsichord and strings in G minor, after his violin concerto in A minor, BWV 1041
    • BWV 1050 – Brandenburg concerto no.5 in D major, for harpsichord, flute, violin and strings
    • BWV 1044 for harpsichord, violin, flute and strings in A minor, 1st and 3rd movements after his Prelude and Fugue in A minor for harpsichord, BWV 894 and second movement after the second movement from his trio sonata in D minor for organ, BWV 527
    • BWV 1060 for 2 harpsichords and strings in C minor, after a lost violin and oboe concerto
    • BWV 1061 for 2 harpsichords and strings in C major; the harpsichord parts alone are considered the original concerto 'BWV 1061a' with the string parts added later
    • BWV 1062 for 2 harpsichords and strings in C minor, after his double violin concerto in D minor, BWV 1043
    • BWV 1063 for 3 harpsichords and strings in D minor
    • BWV 1064 for 3 harpsichords and strings in C major, after a lost triple violin concerto
    • BWV 1065 for 4 harpsichords and strings in A minor, after Vivaldi's concerto for 4 violins in B minor, RV 580 (l'estro armonico op.3 no.10, RV580)
    • Piano Concerto No. 1 (1964)
    • Piano Concerto No. 2, for piano, winds, and percussion (1974)
    • Piano Concerto No. 3 (1999)
    • Symphonic Variations (1918)
    • Winter Legends (1930)
    • Piano Concertino (1939)
    • Morning Song (1946)
    • Concertante for Orchestra with Piano (Left Hand) (1949)
    • Piano Concertino (1928)
    • Concerto Quasi una Fantasia (1949)
    • Piano Concerto No. 1 in D minor, Op. 1
    • Piano Concerto No. 2 in E-flat, Op. 4
    • Piano Concerto No. 3 in C minor, Op. 9 (1833)
    • Piano Concerto No. 4 in F minor, Op. 19
    • Piano Concerto No. 5 in F minor
    • Piano Concerto No. 6 in A minor
    • Caprice in E, Op 22
    • Adagio
    • Piano Concerto No. 1 «Anxiety», Op. 24 (1995)
    • Piano Concerto No. 2 «Urge», Op. 44 (1999)
    • Piano Concerto No. 3 «Monster», Op. 45 (1999)
    • Concerto for Two Pianos and Orchestra (1973)
    • Points on a Curve to Find – Piano Concerto (1973-4)
    • Piano Concerto in B-flat, Op. 29 (1947)
    • Concerto for Two Pianos and Orchestra, Op. 30 (1948)
    • Piano Concerto No. 1 (1947)
    • Piano Concerto No. 2 (In variable metres) (1952)
    • Variations on a Theme of Muzio Clementi (1961)
    • Concerto symphonique in B minor (1947-8)
    • Scherzo fantastique (1948)
    • Concerto in D minor for piano and orchestra, Op. 14 (1925)
    • Piano Concerto, Op. 1 (destroyed, material partly used in the Piano Concerto No. 2)
    • Piano Concerto No. 2 in E-flat, Op. 28, for left hand alone, written for Paul Wittgenstein (1924)
    • Piano Concerto No. 3 in C minor, Per Aspera ad Astra, Op. 32 (1927)
    • Russian Rhapsody
    • Piano Concerto No. 1 in E-flat Op. 11 (1903)
    • Piano Concerto No. 2 in D minor ("Concertstück") Op. 17 (1905)
    • Piano Concerto No. 3 in G minor ("Fantaisie") Op. 23 (1907)
    • Piano Concerto No. 4 in A minor Op. 88 (1929)
    • Piano Concerto in D, Op. 13 (1938, revised 1945)
    • Diversions on a Theme for Piano Left Hand and Orchestra, Op. 21 (1940), for Paul Wittgenstein
    • Scottish Ballad, Op. 26, for two pianos and orchestra (1941)
    • Piano Concerto, Op. 18, with baritone and male choir in last movement (1938)
    • Piano Concerto in D, Op. 17, for piano and string orchestra (1878)
    • Konzert-Fantasie, Op. 29 (1888-9)
    • Introduction and Allegro, Op. 31a (1890)
    • Konzert-Fantasie, Op. 32 (1888–89)
    • Piano Concerto in C, Op. 39 (1902-4), with male chorus
    • Introduction et scherzo (1882-4)
    • Konzertstück in D, Op. 31a (1890)
    • Romanza e scherzoso, Op. 54 (1921), published together with Op. 31a as "Concertino"

C

    • Concerto for Piano and Orchestra (1950–51)
    • Piano Concerto No. 1, Mediterranean (1948)
    • Piano Concerto No. 2, Maqam (1968)
    • Piano Concerto No. 3, Leningrad (1984)
    • Piano Concerto (1965)
    • Double Concerto for Harpsichord and Piano with Two Chamber Orchestras (1961)
    • Piano Concerto in F, Op. 28
    • Piano Concertino in C, Op. 78
    • Piano Concerto in C for four hands, Op. 153
    • Piano Concerto in A minor, Op. 214
    • Piano Concertino in C, Op. 210
    • 3 unpublished concertos, mentioned in Mandyczewski

D

    • Printemps, L. 61 (1887), symphonic suite for choir, piano, and orchestra
    • Fantaisie, L. 73 (1889–90)
    • Piano Concerto No. 1 in C minor (1914)
    • Piano Concerto No. 2 in B-flat minor (1930)
    • Thirteen solo piano concertos including
      • Piano Concerto in B-flat major, Op. 22, Craw 97
    • Concerto for Two Pianos in B-flat major, Op. 63 No. 10
    • Concerto Leggiero for Piano and String Orchestra

E

    • Piano Concerto (incomplete, completed by Robert Walker) (begun 1913, sketches continue until 1934)

F

    • Ballade in F-sharp, Op. 19 (1881)
    • Fantaisie in G, Op. 111 (1919)
    • Piano Concerto No. 1 in C major, Op. 20 (1931)
    • Piano Concerto No. 2 in D major, Op. 36 (1945)
    • Piano Concerto No. 3 in C minor, Op. 44 (1947/51)
    • Concerto for Piano and Orchestra (1991)
    • Concerto for Piano and Orchestra No. 2 (2007)
    • Eclogue for Piano and Strings, Op. 10
    • Grand Fantasia and Toccata, Op. 38
    • Piano Concerto No. 1 (1939-43)
    • Piano Concerto No. 2 (1951)

G

    • Sunken City (Concerto for piano and winds) (2007)
    • Piano Concerto (1951)
    • Concerto for Piano and Strings (1961)
    • Concerto for harpsichord, percussion and strings (mid 20th century)
    • Piano Concerto No. 1, Tirol (2000)
    • Piano Concerto No. 2, After Lewis and Clark (2004)
    • Concerto for Harpsichord and Chamber Orchestra (2002)
    • Piano Concerto No. 1 in A minor, Op. 31 (1879)
    • Piano Concerto No. 2 in G minor, Op. 148 (1899)
    • Introduction and Allegro, Op. 49 (1880)
    • Concerto for Piano and Orchestra (1954)
    • Fantasy for Piano and String Orchestra (1955)
    • Piano Concerto in E-flat (1861)
    • Piano Concerto in B-flat, Op. 18 (1867)
    • Piano Concerto in C minor (1951)
    • Piano Concerto in C minor, Op. 2 (1952)
    • Fantaisie sur l'hymne national russe (1886)
    • Suite Concertante in A (1890)
    • Suite de navidad (1914-5), arranged from opera La cieguecita de Betania
    • Piano Concerto No. 1
    • Piano Concerto No. 2
    • Piano Concerto No. 3
    • Piano Concerto No. 4
    • Piano Concerto No. 5
    • Piano Concerto No. 6

H

    • Concerto for Piano and Orchestra (1959)
    • Concerto No. 2 for Piano and String Orchestra (1962)
    • Concerto in C, Hob. XVIII/1 (1756)
    • Concerto in F, Hob. XVIII/3 (c. 1765)
    • Concerto in G, Hob. XVIII/4 (before 1782)
    • Concerto in C, Hob. XVIII/5 (before 1763)
    • Concerto in F, Hob. XVIII/7 (before 1766)
    • Concerto in G, Hob. XVIII/9 (before 1767)
    • Concerto in C, Hob. XVIII/10 (c. 1760)
    • Concerto in D, Hob. XVIII/11 (before 1782) – this is the one usually known as the Haydn Concerto
    • Concerto in C, Hob. XVIII/12
    • Concerto in F, Hob. XVIII/6, for piano, violin and strings (before 1766)
    • Piano Concerto No. 1 (1950)
    • Piano Concerto No. 2 (1967)
    • Tristan, preludes for piano, electronic tapes and orchestra (1973)
    • Requiem for piano and chamber orchestra (1990)
    • Piano Concerto (1945)
    • Klaviermusik mit Orchester, Op. 29 (1923, for left hand only)
    • Kammermusik II Concerto for piano and twelve solo instruments, Op. 36/1 (1924)
    • Concert Music for Piano, Brass and Two Harps, Op. 49 (1930)
    • The Four Temperaments (1940)
    • Concerto for Piano, Winds and Percussion, Op. 19 (1961)
    • Concerto No. 2, Op. 21 (1960)
    • Concerto No. 3, Op. 44 (1966)

I

J

K

    • Piano Concerto No. 1 in D minor, Op. 61 (1823)
    • Piano Concerto No. 2 in E minor, Op. 85 (1826)
    • Bravura Variations on "God Save the King", Op. 99 (1828)
    • Adagio ed allegro di bravura, Op. 102 (1828)
    • Piano Concerto No. 3 in A minor, Op. 107 (1829)
    • Le rêve, Grande fantaisie pour le piano forte avec accompagnement d'orchestre ad libitum, Op. 113 (c. 1831)
    • Grand Concerto for two pianos, Op. 125 (1833)
    • Piano Concerto No. 4 in A-flat major, Op. 127 (1835)
    • Concertino for piano and orchestra, Op. 1 (1957)
    • Concerto for piano and orchestra No. 1, Op. 2 (1961)
    • Concerto for piano and orchestra No. 2, Op. 14 (1974)
    • Concerto for piano and orchestra No. 3, Op. 48 (1985)
    • Concerto for piano and orchestra No. 4, Op. 56 (1989)
    • Concerto for piano and orchestra No. 5, Op. 72 (1993)
    • Concerto for piano and orchestra No. 6, Op. 74 (1993)
    • Toccata for piano and orchestra, Op. 8 (1964)
    • Intermezzo for piano and orchestra, Op. 13 (1968)
    • Nocturne in G major for piano and orchestra, Op. 16 (1972)
    • Etude for piano and orchestra, Op. 19 (1974)
    • Nocturne for piano and orchestra, Op. 20 (1974)
    • Concert Rhapsody for piano and orchestra, Op. 25 (1976)
    • Scherzo for piano and orchestra, Op. 29 (1978)
    • Piano Concerto No.1 (1997)
    • Piano Concerto No.2 (1999)
    • Piano Concerto No.3 (2006)
    Hugo Kaun (1863-1932)
    • Piano Concerto No. 1 E-flat minor, Op. 50
    • Piano Concerto No. 2 C minor, Op. 115 (1925)
    • Piano Concerto No. 1 in F, Op. 1 (1933)
    • Piano Concerto No. 2 in C, Op. 21 (1972)
    • Piano Concerto No. 3 in C, Op. 28 (1983/84)
    • Piano Concerto No. 1 in F-sharp, Op. 18 (1923)
    • Piano Concerto No. 2, Op. 81 (1937)
    • Piano Concerto No. 3, Op. 107 (1946)
    • Piano Concerto No. 4 (1950)
    • Concerto for Two Pianos (1951)
    • Op. 27/1 – ... quasi una fantasia ... for piano and chamber ensemble (1987–88)
    • Op. 27/2 – Double Concerto for piano, cello and two chamber ensembles (1989–90)

L

    • Concerto n°1 for piano and string orchestra (2002)
    • Piano Concertino: Transformation of Themes (1992)
    • Tableaux (after Kandinsky) for Piano and Orchestra
    • Piano Concerto No. 1, Op. 25 (2005)
    • Piano Concerto No. 2, Op. 29 (2007)
    • Piano Concerto No. 1, Op. 11 (1951)
    • Piano Concerto No. 2, Op. 37 (1960)
    • Piano Concerto No. 3, Op. 57 (1969)
    • Piano Concerto No. 1 in G major (1905)
    • Piano Concerto No. 2 in E minor (1931)
    • Piano Concerto No. 3 in F minor (1945)
    • Piano Concerto No. 4 in B major (1955)
    • Piano Concerto No. 5 (1960)
    • Piano Concerto No. 1, Op. 12 (1983)
    • Piano Concerto No. 2, Op. 36 (1992)
    • Piano Concerto No. 3, Op. 95 (2006)
    • Concertino Op. 3
    • Romanian Dances for Piano and Orchestra
    • Piano Concerto No. 1 ('Scapegoat')
    • Piano Concerto No. 2
    • Piano Concerto No. 3

M

    • Piano Concerto No. 1, Op. 43 (1966)
    • Piano Concerto No. 2
    • Piano Concertino (1968)
    • Piano Concerto No. 3, Dialogues (1976)
    • Symphonic Lego Fantasia for piano and orchestra (1995–96)
    • Six Piano Concertos (1934–1964)
    • Dialoghi VII (Concerto) for Two Pianos and Orchestra (1956)
    • Piano Concerto No. 1 in F minor (1934)
    • Piano Concerto No. 2 (1968–69)
    • Harpsichord Concerto (1951–52)
    • Ballade for piano and orchestra
    • Petite Symphonie Concertante for piano, harp, harpsichord and two string orchestras (1945)
    • Concertino No. 1
    • Concertino No. 2
    • Concerto No. 3, Quebec (1943)
    • Concerto No.4 in E minor (1947)
    • Romantic Rhapsody for Piano and Orchestra
    • Concerto for Piano and Orchestra No. 1 in E minor (1895)
    • Concerto for Piano and Orchestra No. 2 in C minor (1898)
    • Réveil des oiseaux ("Dawn chorus"), solo piano and orchestra (1953)
    • Oiseaux exotiques ("Exotic birds"), solo piano and orchestra (1955–56)
    • Sept haïkaï ("Seven haikus"), solo piano and orchestra (1962)
    • Couleurs de la cité céleste ("Colours of the Celestial City"), solo piano and ensemble (1963)
    • Un vitrail et des oiseaux ("Stained-glass window and birds"), piano solo, brass, wind and percussion (1986)
    • La ville d'en-haut ("The city on high"), piano solo, brass, wind and percussion (1987)
    • Concert à quatre, for four soloists – piano, cello, flute, oboe – and orchestra (1990-91, completed Loriod and Benjamin)
    • La Transfiguration de Notre Seigneur Jésus (1965–69), for solo piano, solo cello, solo flute, solo clarinet, solo xylorimba, solo vibraphone, large 10-part choir and large orchestra
    • Concerto for 2 pianos and orchestra (1939–41)
    • Piano Concerto No. 1 (1947)
    • Piano Concerto No. 2 (1961)
    • Concerto pour piano à quatre mains et orchestre à cordes (1980)
    • Piano Concerto No. 1, Op. 127 (1933)
    • Piano Concerto No. 2, Op. 225 (1941)
    • Concerto for 2 (or 3) Pianos, Op. 228 (1941)
    • Piano Concerto No. 3, Op. 270 (1946)
    • Piano Concerto No. 4, Op. 295 (1949)
    • Concertino d'automne, for 2 pianos and 8 instruments, Op. 309 (1951)
    • Piano Concerto No. 5, Op. 346 (1955)
    • Ballade, Op. 61 (1920)
    • 5 Études, Op. 63 (1920)
    • Le Carnaval d'Aix, Op. 83b (1926)
    • Fantaisie pastorale, Op. 188 (1938)
    • Suite, Op. 300, for 2 (or 3) Pianos and Orchestra (1950)
    • Suite concertante, Op. 278b (1952)
    • Kicking and Screaming for piano and 10 players (1994)
    • Rhapsody in F-sharp minor for Piano and Orchestra (1943)
    • Concerto Grosso for Piano, Percussion, and Orchestra (1960–68)
    Georg Matthias Monn – Harpsichord concerto in G minor, Harpsichord concerto in D major (18th Century)

N

    • Concerto symphonique in A minor Op 27 (1877)
    • Fantaisie russe in B minor Op 39 (1881)

O

P

    • Concerto for Piano and Orchestra, No. 1 in C major
    • Concerto for Piano and Orchestra, No. 2 in F major
    • Concerto for Piano and Orchestra, No. 3 in A major
    • Concerto for Piano and Orchestra, No. 4 in G minor
    • Concerto for Piano and Orchestra, No. 5 in D major
    • Concerto for Piano and Orchestra, No. 6 in B-flat major
    • Concerto for Piano and Orchestra, No. 7 in A major
    • Concerto for Piano and Orchestra, No. 8 in C major
    • Piano Concerto No. 1 in G minor, Op. 13 (1903)
    • Piano Concerto No. 2, Op. 33 'The River' (1913)
    • Piano Concerto No. 3 in F major, Op. 41 'Metamorphoses' (1915)
    • Piano Concerto No. 4, Op. 85 'April' (1926)
    • Piano Concerto No. 5 in A major, Op. 99 (1941)
    • Credo for Piano, Mixed Chorus, and Orchestra (1968)
    • Lamentate for piano and orchestra (2002)
    • Concertino (1937)
    • Concerto for Two Pianos and Orchestra (1964)

Q

R

    • Piano Concerto No. 1 (1943)
    • Piano Concerto No. 2 (1951)
    • Concerto for Two Pianos and Orchestra (1968)
    • Piano Concerto in F minor, Op. 114 (1910)
    • Piano Concerto No. 1 in F-sharp minor, Op. 72 (1860)
    • Piano Concerto No. 2 in E minor, Op. 120 (1872)
    • Piano Concerto No. 3 in C, Op. 144 (1877)
    • Piano Concerto No. 4 in B minor, Op. 254 (1901)
    • Konzertstück in G minor, Op. 33 (1848)
    • Piano Concerto No. 1
    • Piano Concerto No. 2 in E-flat major, Op. 42 (1812)
    • Swedish National Airs and Variations, Op. 52 (1812)
    • Piano Concerto No. 4 in C minor, Op. 115 (1809)
    • Grand Vriations on " Rule Britannia", Op. 116 (1817)
    • Piano Concerto No. 5 "Concerto pastoral" in D major, Op. 120 (c. 1815-17; publ. 1823)
    • Piano Concerto No. 6 in C major, Op. 123 (1806)
    • Piano Concerto No. 7 "Abschieds-Concert von England" in a minor, Op. 132 (1823)
    • Introduction et Rondeau brillant, Op. 144 (1825)
    • Piano Concerto No. 8 in A-flat major, Op. 151 (1826)
    • Introduction et Variations Brillantes, Op. 170 (1817; publ. c. 1832)
    • Introduction and Polonaise, Op. 174 (1833)
    • Piano Concerto No. 9 in G minor, Op. 177 (c. 1833)
    • Introduction et Rondeau brilant, WoO54 (1835)
    • Piano Concerto in G minor (1873)
    • Piano Concerto in D major, Op. 18 (1879)
    • Piano Concerto in D minor (1887)
    • Piano Concerto in F major (1906)
    • Piano Concerto in E major (1929)
    • Two Piano Concertos: No. 1 in E minor and No. 2 in C major (1929/30)
    • Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of W.A. Mozart's Don Giovanni
    • Concerto soiree for piano and orchestra
    • Concerto in E minor for piano and orchestra (piccolo mondo antico)
    • Concerto in C major for piano and orchestra
    • Concerto for Piano, Strings and Percussion, Op. 49 (1938)
    • Sinfonia Concertante, Op. 38 (1936, revised 1943)
    • Piano Concerto in G, Op. 85 (1956)
    • A Long Time Man (24 variations on the prison song "It Makes a Long Time Man Feel Bad") (1979)

S

    • Piano Concerto in C major (1773)
    • Piano Concerto in B-flat major (1773)
    • Piano Concerto No. 1 in E minor
    • Piano Concerto No. 2 in C minor
    • Suite Fantastique, Op. 7
    • Impressions from an Artist's Life (1913)
    • Piano Concerto (No. 1), for piano and orchestra (1960)
    • Piano Concerto (No. 2), for piano and chamber orchestra (1964)
    • Piano Concerto (No. 3), for piano and strings (1979)
    • Piano Concerto (No. 4), for one piano four hands and chamber orchestra (1988)
    • Concerto for Piano and Small Orchestra
    • Piano Concerto Op. 11
    • Piano Concerto No. 1 (1915–16)
    • Piano Concerto No. 2 (1916–17; only two-piano version survives)
    • Piano Concerto No. 3 (1918)
    • Piano Concerto No. 4 (1918)
    • Piano Concerto No. 5 (1920)
    • Piano Concerto No. 6 (1922)
    • Piano Concerto No. 7, Simorg-Anka (1924)
    • Piano Concerto No. 8 (1927–28)
    • Symphonic Variations for Piano and Orchestra (1935–37, 1953–56)
    • Opus clavisymphonicum—Concerto for Piano and Large Orchestra (1957–59)
    • Opusculum clavisymphonicum vel claviorchestrale (1973–75)
    • Aurora, for Piano and Chamber Orchestra (1976)
    • Scenery of Pasts, 1993 Trio – Piano, Flute, Cello
    • Picasso Reflections, Piano and Chamber Group (2007)
    • American Rhapsody (2009)
    • Pompeii (2011)
    • Lilith (2011)
    • Piano Concerto No. 1 in B-flat minor, Op. 1 (1893)
    • Piano Concerto No. 2 in D minor, Op. 23 (1905–07)
    • Burleske in D minor (1885–86)
    • Parergon zur Sinfonia Domestica, Op. 73 (piano left-hand; 1924–25)
    • Panathenaenzug, Op. 74 (piano left-hand; 1926–27)
    • Piano Concerto No. 1 (1949)
    • Piano Concerto No. 2 (1952)
    • Piano Concerto No. 3 (1970)
    • Concerto No. 1 for Piano and Orchestra, Op. 71 (1974)
    • Concerto No. 2 for Piano and Orchestra, Op. 134 (1989)

T

    • Arc (1963)
    • Asterism (1968)
    • Quatrain for violin, clarinet, cello, piano soloists and orchestra (1975)
    • Riverrun (1984)
    • Piano Concerto in Brazilian forms Op. 105 n.2 (1938)
    • Piano Concerto No. 1, Op. 12
    • Piano Concerto No. 2, Op. 26
    • Piano Concerto No. 3, Op. 48
    • Piano Concerto No. 4 (Fantaisie), Op. 78
    • Piano Concerto No. 5, Op. 96
    • Piano Concerto No. 6, Op. 99
    Ferdinand Thieriot (1838-1919)
    • Piano Concerto No. 1 in B-flat (1885)
    • Piano Concerto No. 2 in C minor (1904)
    • Piano Concerto No. 1 in F major, Op. 1 (1927)
    • Piano Concerto No. 2 (lost; MS destroyed in a house fire)
    • Piano Concerto No. 3 'Hommage a Brahms', Op. 126 (lost; MS destroyed in house fire, but being reconstructed from recording)
    • Piano Concerto No. 4 'Aurora Borealis', Op. 130 (lost, but reconstructed from surviving orchestral parts and recording; 1947)
    • Piano Concerto No. 5, Op. 156 (1954)
    • Piano Concerto No. 6 (lost; MS destroyed in a house fire)
    • Variations on a Folksong from Hardanger for two pianos and orchestra (1949)

U

V

    • Piano Concerto (1933 – also exists in a version for two pianos and orchestra of 1946)
    • Fantasia (Quasi Variazione) on the "Old 104th" Psalm Tune (1949)
    • Piano Concerto No. 1 (1945)
    • Piano Concerto No. 2 (1948)
    • Piano Concerto No. 3 (1952–57)
    • Piano Concerto No. 4 (1952)
    • Piano Concerto No. 5 (1954)
    • Suite for piano and orchestra
    • Momoprecoce, fantasy for piano and orchestra (1929)
    • Chôros No. 8, for two pianos and orchestra (1925)
    • Chôros No. 11, for piano and orchestra (1928)
    • Bachianas Brasileiras No. 3

W

    • Piano Concerto (1941)
    • Poem, for orchestra and piano solo (1924)
    • Scherzo burlesque, for piano and orchestra (c. 1931)
    • Symphony Concertante, for piano and horn with orchestra (1929)
    • Piano Concerto No. 1 in F minor, Op. 39 (1880)
    • Piano Concerto No. 2 in C, Op. 77 (1905)
    • Fantaisie in A-flat, Op. 62 (1892)
    • Piano Concerto No. 1 (1956–58)
    • Piano Concerto No. 2 (1960)
    • Concerto for Two Pianos and String Orchestra (1972–73)
    • Piano Concerto No. 4 (1991–94)
    • Sinfonia Concertante (1958–60), for piano, 3 trumpets and string orchestra
    • Piano Concerto (1966)
    • Second Concerto: for Amplified Piano and Orchestra (1974)
    • Third Piano Concerto (1983)
    • Fourth Piano Concerto (2003)
    • Flying to Kahani (2005)
    • Time Regained, concert piece for piano and orchestra based on early music, Machaut, Matteo di Perugia, Dufay and Gibbons (2008)

X

    • Synaphaï (Connexities), for piano and orchestra (1969)
    • Erikhthon, for piano and orchestra (1974)
    • ''Keqrops, for piano and orchestra (1986)

Y

Z

    • Piano Concerto in E-flat (composed 1953 for William Kapell, destroyed in the air crash in which the pianist died, reconstructed by the composer)

Works for orchestra or large ensemble with less important or modest piano part

    • Ballade pour saxophone and orchestre (1938/39)
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